PRODUCtion
Beats built for one artist. You bring references and a direction; I come back with an arrangement you can write to inside a week — not a two-bar loop on repeat.
EVERY time
- A full arrangement — intro, verses, switch-up, space for the hook
- Sound selection and drum programming to your reference
- Trackout stems, labelled and consolidated from bar one
- Tagged MP3 for writing plus clean files on delivery
- Session tempo map and key noted in the filenames
- A rough mix so you can hear where it's going
WHAT IT costs
Half up front, half on delivery. If the first pass isn't right and we can't fix it in revisions, the deposit comes back.
INR 9,999
5–7 DAYS TURNAROUND
One beat built around your reference, your key, your tempo.
- Built from scratch to your brief
- 2 rounds of revisions
- Trackout stems + tagged MP3
- Full non-exclusive license
INR 24,999
7–10 DAYS TURNAROUND
Exclusive rights, arranged around your vocal from day one.
- Exclusive ownership, beat retired from the store
- Unlimited revisions inside the session
- Arrangement edited to your vocal take
- Trackout stems + rough mix included
FROM INR 69,999
3–5 WEEKS TURNAROUND
A body of work — five beats, one direction, one sound.
- 5 exclusive beats built as a project
- A&R calls and reference sessions
- Mix-ready stems for every record
- Priority turnaround on revisions
HOW IT goes
Four steps, about a week for a single beat. You'll always know which one we're on.
- 001
BRIEF
You send references, a tempo range and whatever's already recorded. I come back with what I'd do and what it costs. No deposit until we agree on direction.
- 002
FIRST PASS
You get a full arrangement inside a week — not a loop. Enough structure to write to, with the drops and switch-ups already in place.
- 003
REVISIONS
Notes come back in one round, in plain language. I move fast on structure, sound selection and energy; I don't nickel-and-dime revision counts.
- 004
DELIVERY
Trackout stems, a tagged MP3 and the session tempo map. Files named the way an engineer wants to receive them.
ASKED often
DO I OWN THE BEAT?
On the exclusive tier, yes — the beat comes off the store and it's yours, with a signed agreement. Custom beats come with a non-exclusive license that you can upgrade to exclusive at any point for the difference in price.
WHAT DO YOU NEED FROM ME TO START?
Three reference tracks, a tempo range, and a rough voice memo if you already have a flow in mind. That's genuinely enough. If you don't have references, we get on a call and find them together.
HOW ARE PUBLISHING SPLITS HANDLED?
Standard is 50/50 on publishing for produced records, which is the norm for hip hop production. It's written into the agreement before any money moves, and it's negotiable on package deals.
CAN YOU MATCH A SPECIFIC PRODUCER'S SOUND?
I can get you in the neighbourhood and then make it yours. Straight cloning is a waste of both our time — the point of custom work is that it sounds like you, not like the reference.
SEND ME THE references
Three tracks and a tempo range is enough to start. I'll tell you what I'd do with it and what it costs before you pay anything.